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Canon EOS C100 Mark II (EF Mount) (Body Only)

Model: 0202C002
SKU: CAN-30310
 
USD $3,499.00

Availability: In stock

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About the Canon EOS C100 Mark II (EF Mount) (Body Only)

  • Description
  • Specifications
  • Reviews
  • Videos
35mm 8.3 megapixel, CMOS Sensor, 4K Video, EF mount, dual SD memory card slots, Wi-Fi enabled

Details

The Canon EOS C100 Mark II Digital HD Camera offers all of the advantages of its predecessor while adding advanced new imaging and operational features by popular demand. Optimized for one-person use and compatible with the full range of Canon EF, EF-S, and EF-mount CN-E Cinema lenses, this greatly evolved camera integrates the same Emmy®-Award winning Canon Super 35mm CMOS Sensor used in all of Canon's Cinema EOS cameras, but now replaces the Canon DIGIC DV III Image Processor with the more sophisticated Canon DIGIC DV 4 Image Processor. In addition to improved RGB video processing, the camera's dual codec capability supports simultaneous AVCHD and MP4 recording, including 59.94P capture along with slow and fast motion recording. Dual Pixel CMOS AF and Face AF, wireless FTP video transfer, a built-in Canon Log LUT, GPS support and support for an extensive range of workflows, are additional operational features that have been added. A re-designed 270-degree rotating 3.5-inch OLED panel, and a tiltable large-size EVF with large-size eyecup, further empower the camera operator.

The compact, redesigned, lightweight body of the Canon EOS C100 Mark II Digital HD Camera has also evolved, and now includes a built-in microphone, START/STOP buttons clearly labeled in red, transparent covers on its twin SD card slots, improved battery insertion and removal, and an increased number of assignable buttons. Add to this its built-in ND filters, removable rotating pistol grip, removable top handle with twin XLR inputs, built-in stereo mic, and audio controls, and the Canon EOS C100 Mark II emerges as a powerfully evolved Super 35mm Digital HD camera designed to serve your quest for greater freedom of creative expression in HD video production.

Canon Super 35mm CMOS Sensor

The EOS C100 Mark II Digital HD Camera employs the same single Super 35mm Canon CMOS image sensor as the rest of the Cinema EOS camera family and includes the same innovative strategies that have established the outstanding image performance of these cameras. This 8.3 megapixel sensor maximizes the size of the individual photosite - each of which deploys two photodiodes to ensure high speed removal of accumulated charge, which in turn helps elevate the effective sensor dynamic range. Allied with innovative Canon signal extraction strategies that enhance the sensor signal to noise performance allows unprecedented elevation of the ISO setting in this professional Super 35mm camera, while always protecting its dynamic range.

Canon DIGIC DV 4 Image Processor

The four 1920 x 1080 HD R Gr Gb B video components from the image sensor are pre-processed and then sent to the DIGIC DV 4 processor for advanced video processing. This includes separate interpolation of the sparsely sampled R and B HD components to form full frame 4K for each. The two green HD components are also interpolated to form a single full frame 4K Green component. These three 4K RGB components are then down-sampled to create a set of YCC 422 HD components that have high MTF, improved edge transitions, low false color moiré, and enhanced overall color reproduction. These components are further processed preparatory to sending them to the AVCHD and MP4 codecs.

Simultaneous AVCHD and MP4 Recording

The EOS C100 Mark II Digital HD Camera enables users to record in both the AVCHD and the MP4 recording formats in a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates, including 59.94p, to address practically any production need. Both formats have their own particular advantages. AVCHD is a professional standard that enables long-duration recording of full HD using moderate total data capacities. MP4 has advantages for Web and smartphone sharing. Both formats are easily accepted by most nonlinear editing applications. The EOS C100 Mark II camera's dual SD card slots can record in either or both formats simultaneously and can convert AVCHD and MP4 files into smaller MP4 files for web upload.

Slow and Fast Motion Recording

The EOS C100 Mark II Digital HD Camera can provide slow and fast-motion video effects when recording in the MP4 format. Sound is not recorded, and the feature is not available during double-slot recording. Slow and fast-motion playback speeds can range from x0.4 slow up to x2.5 fast.

MP4 Conversion

This feature allows for converting an AVCHD or MP4 recording on the SD card in the EOS C100 Mark II camera's main slot into a 3 Mbps (640 x 360) MP4 file on the SD card in the alternate slot. This gives users a smaller file that is easier to transmit. MP4 conversion is not possible for MP4 files at 35 Mbps and AVCHD files at 28 Mbps.

Redesigned 3.5-Inch OLED Panel

OLED (Organic Light-Emitting Diode) is a newer display technology that provides vivid colors, high contrast, and dramatically improved responsiveness compared to traditional LCD screens. The 3.5-inch 1.23 megapixel OLED display on the EOS C100 Mark II delivers virtually 100 percent field of view coverage, wide and faithful color range support, and improved viewing even in bright sunshine. The EOS C100 Mark II camera's OLED screen has a new hinge design to help maximize monitoring versatility. The design allows the panel to fold shut when stowed and protect the OLED surface. It can then open 180 degrees to reveal function keys and a joystick, or open further to 270 degrees to deploy against the side of the camera and provide monitoring for directors, producers, or other production personnel.

1.23 Megapixel Tilting Color EVF

Larger and totally redesigned from what was featured on its predecessor model, the EOS C100 Mark II camera's EVF (Electronic ViewFinder) uses a 0.45 inch 1.23 megapixel color panel surrounded by a large professional-style eyecup like the one used on the Canon EOS C300 and EOS C500 Cinema cameras. In addition, the new EVF has a 68 degree tilt angle, allowing it to be used more effectively in a variety of shooting situations.

Dual Pixel CMOS AF

A standard feature of the EOS C100 Mark II Digital HD Camera, Dual Pixel CMOS AF (AutoFocus) ingeniously deploys the two photodiodes within each sensor Photosite to facilitate a powerful phase difference detection that provides measurement data that ultimately controls the EF lens focusing system helps ensure that proper focus is always maintained, even in unpredictable "run and gun" news or documentary-type shooting situations. Dual Pixel CMOS AF operates within the center portion of the frame and is compatible with more than 100 Canon EF lenses.

Face AF Mode

Face AF mode detects and focuses on human faces. Both the Dual Pixel CMOS AF and Face AF capabilities give camera operators more freedom to concentrate on composing their shots and paying attention to potentially unpredictable shooting environments.

Push Auto Iris

Push Auto Iris automatically adjusts the aperture of the lens to quickly and easily maintain proper exposure, even in situations where lighting changes frequently.

The following EF Lenses are compatible with Face AF and Auto Push Iris:

  • EF-S 10-18mm f/4.5-5.6 IS STM
  • EF-S 18-135mm f/3.5-5.6 IS STM
  • EF-S 18-55 f/3.5-5.6 IS STM
  • EF-S 55-250mm f/4-5.6 IS STM
  • EF 24-105 f/3.5-5.6 IS STM
  • EF-S 18-135mm f/3.5-5.6 IS USM
  • 59.94p Frame Rate
  • 59.94p Frame Rate
By popular demand, the EOS C100 Mark II HD Digital Camera can capture 1920 x 1080 HD video at a 59.94p frame rate (59.94p is available in MP4 mode at 35 Mbps and in AVCHD at 28 Mbps). This frame rate can provide captured video with a very "smooth" look that is useful for sports and news applications.

Wireless FTP Video Transfer

MP4 and AVCHD video files (and still images) can be wirelessly transferred to a selected FTP server. This feature is particularly useful for transferring time-critical video for news and for backing-up files. The feature uses the 5GHz band for quick, reliable file transfers. Up to 100 files can be selected to transfer at one time.

Built-In Microphone

A monaural "mono" microphone is built into the body of the EOS C100 Mark II Digital HD Camera for the capture of reference audio, for spoken notes, or as an aid to synching sound in post. This microphone works only when the removable top handle with twin XLR inputs is not attached.

Built-In Canon Log LUT

Many filmmakers prefer to shoot in Canon Log to protect the integrity of the total dynamic range of which the image sensor is capable, which, in turn, can provide greater latitude in post-production grading processes. As the picture is being monitored during Canon Log-enabled shooting, however, the image seen will not accurately represent its final "look". A built-in LUT (Look-Up Table) in the EOS C100 Mark II can be applied to facilitate viewing the video live on a monitor connected to the camera's HDMI® output in a more visually appealing Wide DR (Dynamic Range) or BT.709 (television standard) color space. The Canon Log LUT feature can be turned on or off in the camera's menu.

Red Record Buttons

There are three start/stop record buttons on the EOS C100 Mark II Digital HD Camera (one on the front of the camera, one on the removable pistol grip, and one on the detachable top handle) and all are red for bright visibility. Besides aiding with quick identification, this industry-standard color helps reduce the chance of accidentally stopping a recording.

New Ergonomic Re-Design

The EOS C100 Mark II Digital HD Camera features a compact design for comfortable use by a single operator. Subtle but important modifications for smoother operator comfort include indentations around control buttons and a recessed power switch.

Full Manual Control and Focusing Aids

Digital filmmakers preferring complete manual control have that ability with the Canon EOS C100 Mark II Digital HD Camera. Shooters can also create, save, and recall custom picture settings, camera functions, and display options. Highly effective built-in Focus Aids to confirm critical focus can be displayed on both the tilting EVF and folding OLED monitor, including Peaking (white, red, blue, yellow) and a magnification function that can be shifted to 25 locations across the image. Also included is an Edge Monitor feature, which shows red and green displays at the bottom of the OLED panel with three red focus-check areas shown. The green waveform shows overall focus of the image while the red waveform shows the focus status of the focus-check boxes. Through this dynamic focus feedback technology shooters can intuitively tune focus or quickly change the zone of focus.

Removable Pistol Grip and Top Handle with XLR Inputs and Stereo Mic

The removable top handle on the Canon EOS C100 Mark II Digital HD Camera integrates a built-in tally light, stereo microphone, dual XLR audio inputs for stereo recording, and a mic mount. Audio is captured in 16-bit 48 kHz linear PCM format or Dolby Digital. A compact array of audio-level dials and channel/input switches built into the handle (under a hinged clear plastic protective cover) enables shooters to select signals from the built-in stereo mic or mics attached to the XLR inputs and adjust the gain independently on a channel-by-channel basis. Users can also power a wide range of audio-capture devices with the XLR inputs phantom power supply.

HDMI® Out with Time Code

The Canon EOS C100 Mark II Digital HD Camera includes a screw-locking HDMI connector for output of live HD video from the camera to monitors or other devices. The camera's HDMI signal features superimposed SMPTE time code for attachment to recorders or other third-party devices.

Canon RC-V100 Remote Controller

An optional Canon RC-V100 Multi-Function Remote Controller can be connected to the camera via its remote control cable to adjust image quality and other settings from a distance. This can also be a handy feature when shooting from a crane, jib arm, or mounted remotely in some other inaccessible location.

Canon GP-E2 EOS GPS Receiver

An optional Canon EOS GP-E2 GPS Receiver can be connected to the camera using a USB cable to provide precise location and time information during shooting. This capability can support editing and archiving functions.

In The Box

  • Canon EOS C100 Mark II
  • Eyecup
  • Handle Unit
  • Thumb Rest
  • Tripod Base
  • Shoulder Strap (SS-1200)
  • Battery Pack (BP-955)
  • Compact Power Adaptor (CA-940N) - for North America
  • Battery Charger (CG-940)
  • DC Cable (for CA-930)
  • AC Cable
  • Data Import Utility Disc

Additional Information

Manufacturer Canon
See more by Canon
Best Available Video Mode 4K
Mounts Canon EOS (EF)
Memory Card Type Dual Slot (SD/SD)

Imaging Sensor
Effective Pixels 3840 x 2160 pixels; Approx. 8.29 megapixels
Total Pixels 4206 x 2340 pixels; Approx. 9.86 megapixels
Sensor Type CMOS
Sensor Size Super 35; 24.6 x 13.8 (28.2 mm diagonal); 6.4 µm cell pitch
Scanning System Progressive
Number of Sensors 1
Filter RGB Primary Color Filter (Bayer Array)
Imaging Processor Digic DV III
Lens System
Interchangeable Lens System EF-mount for compatibility with EF, EF-S and EOS EF Cinema lens systems.
ND Filter Mechanical ND filter system with option of clear, 2, 4, and 6 stops
Iris Dial Manual setting in 1/2-step increments, 1/3-step increments or fine
Push auto iris control
Peripheral Illumination Correction Available
Exposure and Metering
Exposure Modes Manual; Push Auto Iris Control (metering system selection/AE shift possible)
Metering Modes Available (Standard Center Weighted, Spotlight, Backlight)
Gain Normal Setting -6dB to 30 dB TBD
Fine Setting 0dB to 24 dB in 0.5 dB increments
ISO 320 to 80,000 in 1/3 stop increments
Exposure Compensation/AE Shift Available
Shutter Modes 3 Modes: OFF; Speed; Angle; Slow Shutter; Clear Scan
Speed setting can be set in 1/2 or 1/3 stop increments
Shutter Speed Range 59.94i/: 1/60 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8, 1/15, 1/30; CS: 59.94 Hz - 250.27 Hz
PF30: 1/30 to 1/2000 in 1/4 or 1/3 stops; SLS: ¼, 1/8; CS: 29.97 Hz - 250.27 Hz
23.98p/PF24: 1/24 to 1/2000 in 1/4or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 23.97 Hz - 250.27 Hz
50i: 1/50 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12 1/25; CS: 50.00 Hz - 250.78 Hz
PF25: 1/25 to 1/2000 in 1/4 or 1/3 stops; SLS: 1/3, 1/6, 1/12; CS: 25.00 Hz - 250.78 Hz
Shutter Angle Settings 59.94i: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
PF30: 360, 240, 216, 180, 120, 90, 60, 45, 30, 22.5, 15, 11.25
23.98p/PF24: 360, 345.6, 288, 240, 180, 172.8, 144, 120, 90, 86.4, 72, 60, 45, 30, 22.5, 15, 11.25
50i: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
PF25: 360, 300, 240, 180, 150, 120, 90, 60, 45, 30, 22.50, 15, 11.25
Iris (Aperture) Range Lens Dependent
Focus
Focus Settings Manual; One-Shot AF
Autofocus System Available; AF is dependent on interchangeable lenses
TTL-Video Signal Sensing System
AF Modes One-Shot AF
* The focusing operation is disabled at shutter speeds slower than 1/8 in 59.94 Hz mode and 1/6 in 50 Hz mode
Recording/Codec
Compression MPEG-4 AVC/H.264
Maximum Bit rate 24Mbps
Recording Options Recording Options
Recording Options SD Card x2 (Video, Still Images (JPEG), Custom Picture Data*, Clip Metadata, and menu settings); SD/SDHC/SDXC Supported; MMC Cards are not supported
*Custom Picture Data and settings is not compatible with data from others Canon models
File Format AVCHD
File System FAT 32
Maximum Clip Number 999 (per media)
Audio
Recording Format 24 Mbps Mode: Linear PCM; 2-Channel; 16-Bit; 48 kHz
All Other Modes: Dolby Digital AC3
Built-in Microphone Stereo Microphone built in to Handle Unit
External Audio Inputs 2 - XLR inputs (Auto and Manual level settings)
External microphone terminal: (3.5 mm diameter)
Recording Channel Selection This is used to set the allocation of the audio channels:
CH1/CH2: The CH1 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
CH1/CH1: The CH1 signals are allocated to the L output channel, and the CH1 signals are allocated to the R output channel.
CH2/CH2: The CH2 signals are allocated to the L output channel, and the CH2 signals are allocated to the R output channel.
ALL CH/ALL CH: Signals obtained by mixing the CH1 and CH2 signals are allocated to the L and R output channels.
XLR Mic Trimming Available; -12dB, -6 dB, 0dB, +6dB or +12 dB
Limiter Available
Recording Level Adjustment Range - Infinity to +18dB, Automatic
Separate controls for internal and externally connected microphones.
Phantom Power Available; +48V
Headphone Adjustment 16 Settings; Volume is muted at lowest setting
Built-in Speaker Yes; 16 level settings
1KHz Tone Available; -12, -18, or -20 dB
Features and Performance
Playback Index Displays: Index Display 3x4, Normal, OK Mark Index, Check Mark Index, Shot Mark Index, Expand Index, Photo Index
HD Clip Playback: Normal, Forward Search (x5, x15, x60), Reverse Search (x5, x15, x60), Forward frame Advance, Reverse Frame Advance, Record Review, Forward Skip, Reverse Skip
SD Clip Playback: Normal Playback
Playback Functions: Inter-media Copy (Single Clip, All Clips); Clip Delete (Single Clip, All Clips, Last Clip)
HD -> SD Conversion (SD Format: MPEG-2; 9 Mbps)
Still Image Playback: index, single playback, erasure, protect
Slow and Fast Motion Recording Not Available
Special Recording Functions Relay Recording; Double-Slot Recording
Photo Recording Mode Available; Images captured to SD Card; Images can be captured during Record, Pause and Playback mod
Waveform Monitor Available; 2 Modes (Standard and RGB Component)
Exposure/Focus Aids Peaking (2 types), Zebra Pattern*, Magnify, Edge Monitor Focus Assist, Black and White Mode
Pre-Record Yes, 3 seconds cache (Audio and Video)
Scan Reverse Available (Horizontal, vertical, or both can be selected)
Time code Drop Frame (DF)* or Non-Drop Frame (NDF)
*NTSC-60i, PF30, and PF24 modes only
Time Code Modes Regen, Record Run, Free Run
Auto White Balance (AWB) Available
White Balance Presets AWB, Daylight (5,400K); Tungsten (3,200K); Kelvin; Set A; Set B
White balance shift is available within Presets (-9 to +9)
Custom Picture Settings Available;
A total of nine 9 Customized Pictures are available in the camera and up to 20 can be saved to an SD card
Custom pictures can be adjusted using the following settings and saved for later recall:
Gamma, Black, Black Gamma, Low Key Saturation, Knee, Sharpness, Noise Balance, Color Correction, Setup Level
Custom Pictures CP7, CP8 and CP9 ship with the following preset:
C7: EOS Standard - The image quality obtained when Standard is selected as the picture style on an EOS DSLR.
C8: Wide DR - The video setting applies a gamma setting (Wide DR Gamma) which can achieve a wide dynamic range while maintaining color values suitable for video without the need for post production processing
C9: Cinema - Applies Canon Log Gamma and Color Matrix. This setting is ideal when post-production image processing is planned.
Custom Functions Available, 9 total functions
Custom Display Available; LCD panel and EVF information display can be customized
Total of 27 display and icons that can be turned on and off
Assign Buttons 15; Can be assigned functions as desired
Color Bars Available; Color bars compliant with SMPTE, EBU, or ARIB standards can be selected.
Minimum Subject Illumination 59.94 Hz Mode: 0.3 Lux
(f/1.2 lens, 24 dB, 29.97p, 1/30s)
50.00 Hz Mode: 0.25 Lux
(f/1.2 lens, 24 dB, 25.00p, 1/25s)
Sensitivity F9 (2000 lux, ISO 640/0 dB, 89.9% Reflection, in 1080/59.94i mode)
F10 (2000 lux, ISO 640/0 dB, 89.9% Reflection, in 1080/50i mode)
S/N Ratio 59.94 Hz Mode: 54db (Typical)
(1920x1080/27.97P, Canon Log, ISO 850)
50.00 Hz Mode: 54dB (Typical)
(1920x1080/25.00p, Canon Log, ISO 850)
Dynamic Range During Normal Shooting: 300%
*With Canon Log Gamma or Wide DR Gamma: 800%
*ISO 850 or above - gain 2.5dB or above
EVF
Type 0.24-inch Color (1,555,000 pixels - 960x540)
Diopter Adjustment Range +2.0 to -5.5
EVF Adjustments Brightness, Contrast, Color, and Backlight
LCD Monitor
Type Rotating 3.5 inch Wide Screen Color LCD Display (922,000 pixels - 640x480) on camera body
Display Adjustments Brightness, Contrast, Color, Sharpness, and Backlight (Normal or Bright)
Input/Output
Time code In/Out Output through HDMI
HDMI Yes (Type A)
Audio Input Terminal 2 - Balanced 3-pin XLR (Mic Level, Mic Level with phantom power and Line Level) on handle unit
3.5mm Microphone terminal on main body
Headphone Jack Available; 3.5mm stereo mini-jack
Remote Terminals Available (Fully LANC Compatible)
Power
Power Terminal Battery Pack: 7.4V
DC in: 8.4V
Battery BP-9 Series
Compact Power Adapter CA-930 (Supplied)
Accessories
Tripod Adapter Canon TA-100
Tripod Adapter Base Canon TB-1
Zoom Remote Controller Canon ZR2000
Other
Dimensions Camera Body plus Thumb Rest:
Approx. 5.3(w) x 6.7(h) x 5.1d(d) in. (135(w) x 170(h)h x 129(d)d mm)
Camera Body plus Grip:
Approx. 7.2(w) x 6.7(h) x 5.1(d) in. (182(w) x 170(h) x 129(d) mm)
Camera Body plus Thumb Rest and Handle Unit:
Approx. 5.6(w) x 11.1(h) x 9.3(d) in. (142(w) x 281(h) x 236(d) mm)
Main Unit Weight C100 Body: Approx. 2.2 lb. / 1020 g (excluding thumbrest) Grip: Approx. 8.1 oz. / 230 g Handle Unit: Approx. 12.7 oz. / 360 g BP-955 Battery: 7.8 oz / 220 g SD Cards x 2: 0.14 oz / 4 g Body Cap : Approx. 0.6 oz / 17 g Thumbrest : Approx. 0.35 oz / 10 g
Total Equipped Weight C100: Approx. 4.0 lb. (1835 g)
(Weight includes the Grip, hook, Handle Unit, BP-955, 2x SD cards.)
C100: Approx. 3.3 lb. (1475 g)
(Weight includes the Grip, hook, BP-955, 2x SD cards.)
Temperature and Humidity Performance requirements: 0°C to 40°C, 85% (relative humidity)
Operating requirements: -5°C to 45°C, 60% (relative humidity)
Language Support English, Japanese, Simplified Chinese, German, Spanish, French, Italian, Polish, Russian, Korean
Time and Date Automatic Calendar range January 1st, 2010 through December 31, 2035 selectable in American, Japanese and European Date formats.
World Clock World Clock support - UTC time setting: Setting range from +14:00 to - 12:00


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